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The DAC of the future just when we thought, that our current flagship DAC, the Pacific would be the end of the road for us, we decided to change the tactics concerning the improvements. Instead of making small incremental improvements of the Pacific, we decided to freeze it and instead - start a new project. Little did we know about the coming future - about the covid, lockdowns and AKM factoiry fire. Starting from a blank sheet we tried to reinvent everything about the DAC that we know, while learning what we don’t. In 2019 we heard for the first time the prototype and frankly - we were shocked how much superior it is from what we are used to. Thanks to a revolutionary chip technology, like nothing we ever saw before - it was possible to create a real monster. It took almost one year to write a software that controls the DAC process, especially for DSD512. By using our own custom firmware we made a DAC that nobody else has and nobody else will. the engine code name is #19 Summarising, the DAC turned out to be incredibly good. Hence the name THE HORIZON. It is something we look into while on the ocean. It is where we are aiming. From the competitor's perspective - the Horizon is where they see us. It is also something endless, undefined, and desired. That's where we wanna be. -
Within our Lampizator team we had set a new challenge: to create an entirely new DAC not based on any model from the past but with no frills, no bells or whistles , no volume control, no remote control, no preamp - just a bare bone DAC with the best possible sound and at the lowest possible cost of everything thats not sound.
We have Horizon 99 digital engines available after the Horizon1 DAC is upgraded to H360 - we can recycle the famous, babulously complex and fabulously good sounding engine.
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The Statement Source for the finest HiFi systems. State-Of-The-Art Dual-Chassis Digital Output Network Transport with USB, AES/EBU, Coaxial, BNC, Optical Outputs, and Word/Master Clock Input. 1 x 8TB SSD + User-Installable Expansion Port. Separation of Music and Noise The culmination of more than 10 years of research and product development has led Aurender to N30SA: the ultimate Digital Output Network Transport with the utmost in transparency, resolution, pace, rhythm, dynamics and revealing musical expression. In digital audio rendering, there are two predominant forces which must be mitigated in order to provide a pristine musical presentation: Noise and Jitter. N30SA’s dual-chassis design physically and electrically isolates the sensitive audio outputs from the noise-generating components of the machine to deliver an uncanny kind of coherence and quiet. The kind of quiet that results in the listener’s ability to hear deep into the music and identify each individual instrument with unbridled dynamics, true-to-life timbre, deep bass extension and slam – even from the most complex musical passages. As with N20 and W20SE, N30SA’s SPDIF and AES/EBU outputs are controlled by an ultra precise OCXO clock to minimize jitter and its harmful artifacts, therefore alleviating the harshness and incoherence that plagues some digital audio presentations. Add an external Master Clock connection like Aurender’s MC20 for the ultimate in atomic clock timing accuracy. -
The New Aspiration
“The Aurender N20 hits the bullseye with simplicity, stability, speed, and sound quality. The product is as simple as possible, but no simpler”, said AudiophileStyle.com and we couldn’t agree more. TESTER N20 sits in the enviable “sweet spot” of cost vs. performance in the middle of Aurender’s range of digital source components. Equally at home in a cost-no-object system or as the cornerstone of a more modest system, N20 is designed to be connected to the world’s best high-quality DACs. the N20 features ultra high-end SPDIF (Coaxial, BNC, Optical) and AES/EBU outputs in addition to an isolated USB Audio output. The SPDIF digital output suite is controlled by a precise OCXO clock for long-term jitter reduction, achieving the perfect marriage of low noise and low jitter. A word clock or master clock input is also provided for users who wish to sync with an external clock. High-resolution file support for all major codecs goes to the extreme limits, and on-the-fly DSD-to-PCM conversion by FPGA is available for SPDIF outputs. N20 is equipped with two user-installable storage bays, allowing the user to select the drive type and capacity to meet their own needs. The handsome machined aluminum front panel features a large 8.8” full-color IPS LCD display that reproduces the album art, artist name and song title. A true overachiever, the N20 fully embodies the virtues of high-end audio performance and user-friendliness expected from Aurender. -
Precision Time-Keeping, Without Complication
With MC10, Aurender is proud to introduce a master clock solution that retains the primary performance benefit of MC20, and brings exceptional value to the market. In fact, MC10 delivers exactly the same essential performance and benefits as its predecessor but at a much more accessible price point. Aurender has achieved this by removing the dual OCXO word clock modules and associated interface technology, which only work effectively with an extremely limited number of DACs (dCS). In retaining the rubidium-module-based 10MHz master clock generator, power supply structure, and vibration mitigation, MC10 retains 100% of the applicable performance benefits of MC20 in the vast majority of product-pairing scenarios. -
A premium Integrated Amplifier with the heart of an Aurender Elegance. Finesse. Resolution. Grace. If ever Aristotle’s adage: “the whole is greater than the sum of its parts” is applicable in audio, it applies to AP20. And, given the quality and quantity of parts in this equation, that’s saying a lot. AP20 delivers unprecedented audio performance from an integrated amplifier. It includes the world’s best Class D amp modules in a dual-mono configuration, an analog R2R relay-based volume control and preamp section, Aurender’s best DAC, a master clock input, a headphone output, a suite of digital and analog inputs and outputs, and the most sophisticated linear power supply block Aurender has ever deployed. The result? An audio component that paints every musical timbre with full-bodied realism. With a delicate touch that’s backed up by enormous headroom for transients and dynamic swings, AP20 drives even the most demanding speaker loads and casts a soundstage that is both expansive and laser-focused. All of this performance, with the heart of an Aurender. -
Offering outstanding audio performance and a plethora of new features, the A1000 is the perfect choice for music enthusiasts seeking an immersive and versatile digital input/output system. Say goodbye to complex connections and software limitations. The A1000’s all new assortment of connectivity options make it a breeze for anyone to pickup and enjoy. Whether you prefer Tidal Connect, Qobuz Connect (via Google Cast audio), Bluetooth Aptx-HD or Aurender Conductor, you are now in complete control of your music. On the hardware side, you’ll find an exceptional AKM 4490REQ Dual-Mono DAC chip and Quad-core 2.0GHz CPU (ARM Cortex-A55), each powered by their own low-noise linear power supply. Upholding Aurender tradition, 1 SSD storage slot is provided for your personal digital file collection. The rear panel now features HDMI ARC, offering greater compatibility for televisions while maintaining superior audio quality. All of this comes wrapped in a beautiful and robust aluminum chassis with a full featured remote and a 6.9” full color display. Combining remarkable audio prowess with entry level pricing, the compact A1000 stands ready to elevate your audio system to the next level. -
This dual outlet power distributor is beautiful and packs a sonic punch. Experience what QSA power can do for your audio system with this plug and play distributor.Unmatched Construction
A massive, 7 pound solid copper milled power distributor, a Furutech FI-06 NCF Rhodium iec power inlet, with 11 awg continuous cast solid core copper wiring internally. The distributor is bolted to a Butcher Block Acoustics 3" Walnut platform which gives the distributor a wider footprint, and added stability. Underneath the platform are 4 ebony hardwood hemispheres that support the entire distributor and tonally open up the sound even further.Use Cases
- As a primary power distributor, connected directly to the wall outlet. This is great for amplifiers, as sometimes they do sound better when plugged directly into the wall. The extremely low impedance power path will absolutely not limit current delivery.
- Between the wall outlet and your power conditioner. This would provide one QSA treated outlet to power your power conditioner, and provide a second outlet for a stereo power amplifier.
- Plugged into your power conditioner. This is a very popular option, essentially turning one filtered AC receptacle in your conditioner into two QSA treated AC receptacles. It's a great way to power source components.
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The SXR Audio Stand was developed based on technical concepts and technology derived from our reference level VXR Audio Stand. The SXR Audio Stand system combined with Harmonic Resolution Systems Isolation Bases eliminates noise to reveal a new level of musical performance. The modular frame concept is manufactured from billet-machined aircraft aluminum with a resonance control system. The highly acclaimed HRS Isolation Bases load directly into the SXR frame as the shelf system. The SXR frame optimizes isolation base performance while offering unique flexibility and functionality. The SXR frame system is completely modular and can be expanded vertically or horizontally at any time. It is available in a 1V (amp stand) configuration and can extend to an infinite number of bays for larger systems. The SXR Audio Stand can be reconfigured, expanded or contracted at any time by acquiring the additional parts of the system necessary for the desired changes. -
Responding to popular demand, Mola Mola launched the famous discrete DAC from the Makua as a separate unit. Mola Mola's Tambaqui DAC is the perfect upgrade for owners of complete high-end systems who want to retain the characteristic sound of their existing preamplifier whilst lifting their digital sources to another level. The converter is a two board stack. On the first board, all incoming digital audio is upsampled to 3.125MHz/32 bits and converted to noise shaped PWM. On the other board are two mono DACs, in which a discrete 32- stage FIR DAC and a single-stage 4th order filtering I/V converter, convert the PWM into analogue with a breathtaking 130dB SNR. This is near the theoretical limit for 24-bit files and far beyond that of even quad-speed DSD. Uniquely, distortion remains below the noise floor even for full scale signals. -
With the knowledge in hand to design minimally invasive electronics without needing to be minimalistic, we decided that our preamp should be complete, very complete. The basic Makua is an extremely transparent gain stage and a programmable routing matrix. The chassis has ample room to fit optional extras, most notably a DAC and a phono stage. The 6 preset buttons are programmable via RS232 or Bluetooth to access any combination of channel, processing and routing. In a system with mainly digital sources, the preset buttons would be programmed to select between them. Vinyl lovers on the other hand might want to use several buttons to select the same turntable but with different EQ settings to suit their large collection of historic LP's. -
From day one, our idea has been to bring about what has been missing in our audio listening experience. What we found to be missing is exactly what we have incorporated into our designs. Over the years, we have realized that the evolution of a loudspeaker has been limited by the acoustic contributions of the enclosure in which it is contained. Rather than combat these unwanted sonics inherent to traditional boxed speaker designs, we have chosen to eliminate the problem entirely. While the open baffle speaker is not a new concept, today's technology, combined with advancements in design and materials, has allowed us to focus on what we believe is the true evolution of this design. -
Kula is an a la carte modular design creating a fusion of highly technical previous accomplishments. The chassis itself is borrowed from the acclaimed Makua preamp, as is the line stage section and its optional phono stage with independent adjustable settings and up to 6 separate inputs. The optional DAC section which also is available in the Makua, is identical to the world-class Tambaqui stand-alone unit and features 5 digital inputs including Roon endpoint and Bluetooth. Additionally, the Kula incorporates a Mola Mola exclusive amplifier which boast an output of 150 Watts @8 Ohm, doubling into 300 Watts @4 Ohm. Clearly enough power to drive any speaker with ease. -
In the years gone by since the original release of the Mola Mola Kaluga power amplifier, we have been working on further improvement of our class D technology. With the Mola Mola Ossetra we have made another significant step in our Proprietary, Mola Mola Trajectum, amplifier technology. The design of the Mola Mola Ossetra amplifier started from a blank sheet, redesigning every aspect of the amplifier and extending its capabilities beyond the highest expectations. On the power supply side, next to a significant noise reduction we improved both dynamic and continues output power. Combined with the vastly increased current capabilities of the amplifier output stage, it makes this amplifier able to drive practically any load. -
The Mola Mola Perca is a stereo power amplifier in our well-known half size chassis. Capable of delivering 150 Watts into an 8 Ohm load and doubling down to 300 Watts into 4 Ohm, it will drive any loudspeaker with ease, refinement, and clarity.The ultra-low distortion class A input stages are implemented on a separate board, together with their own high performance voltage regulation. Taking the NCORE® technology from our mother company Hypex Electronics as a reference point we set out to refine our Class D, self-oscillating principle and feedback concept, resulting in our proprietary Mola Mola Trajectum platform which is also applied in the Mola Mola Kula integrated amplifier. -
The turntable is divided into 3 levels which, according to the principle of ‚Constrained Layer Damping‘, ensure that the unavoidable interference from the drive motor is kept as far away as possible from the tonearm and cartridge. In the lower level are the 3 adjustable feet that connect the entire turntable to the stand. The drive motor is also installed there, as well as the motor control and the XLR terminal. The center level, connected to the lower and upper levels by a special adhesive layer, carries only the armboard and the tonearm. The platter bearing and the control panel are mounted on the top level. By choosing different wood materials, each level is optimised in terms of vibration. Disturbances are greatly reduced in stages from the drive level to the tonearm level. The result of this mix of materials and the construction is the impressive quietness of the turntable. -
As Heritage was meant to be a tribute to the work of Gianni Borinato, co-founder of Pathos, a heartfelt acknowledgment of his innovations and contributions to the world of audiophiles, similarly InPoL Legacy represents the ideal legacy of Gaetano Zanini, co-founder, and owner of Pathos. A superb design, the ultimate in Pathos technology packed into an integrated amplifier, which takes the listening philosophy developed over 25 years by the company to extremes, both in terms of component choice and the absolute performance of this masterpiece. -
InPol² Mk2 is the evolution of the already well-known InPol², a historical exponent of the second generation of InPoL® amplifiers. The InPol² Mk2 was born from the need to have more power on 4Ω (20% more) and, consequently, more BIAS current. We also wanted to improve the power supply of the power amp. Last but not least, we wanted to offer the possibility of directly connecting digital sources, thanks to the integration with our HiDac Mk2. -
Kratos’ name directly comes from its most important feature: power. In Greek mythology, indeed, Kratos was the god of strength, might and power. Kratos is based on Pathos’ hybrid circuit, with tubes pre-stage and Mosfet final stage; it has 200W for each channel. But that’s not all. Kratos’ pre-stage and final stage are clearly separated, with a prestigious pre-out and direct input to final stage; both pre-out and final stages are balanced XLR . Its preamplification circuit is in pure class A; it uses Tung-Sol ECC803s tubes: sound is warm, deep, dynamic. Final Mosfet stage in class AB is strongly polarized in class A; its great power both at 8 and 4 Ohms makes Kratos able to drive any loudspeaker. Kratos is also headphone amplifier with a dedicated circuitry (2 W @ 32 Ω). Design is inspired by Logos, the great Pathos’ historic product. But this is a simple aesthetic affinity: similarities stops here. Kratos hides new technical solutions which make it the leading-edge-product between non-InPol amplifiers. Kratos’ basic features (5 RCA, 2 balanced XLR, digital display, remote-controlled functions) could be improved by a DAC (optional). Thanks to the optional DAC module featuring the HiDac Mk2 board, Kratos will be able to receive all your music from your PC by USB or from a digital source by S/PDIF. -
We are convinced that smart integration of functions yields higher audio quality. The MU2 combines a music streamer with a superb DAC and a reference quality analog pre amp. Its built-in DAC takes full advantage of the Grimm Audio low jitter clock and high performance FPGA processor. A relay based analog volume control enables the MU2 to become the true ‘hub’ of your hifi system for both digital and analog sources. Just like with its sister product, the ‘digital output’ MU1, a Roon Labs server is on board so no external computer is needed to enjoy perfect streaming. -
For the PW1 “Phono Wizard”, Peter managed to develop a solid state phono preamplifier that matches his best tube based designs. Peter believes that designing a good phono preamp is not about achieving the lowest possible harmonic distortion as an isolated parameter. He searches for an elegantly minimalistic circuit design in which he optimizes the ‘electric environment’ of all the active components, in conjunction with a meticulously tuned power supply. Needless to say that passive components like capacitors and resistors are carefully picked. -
The LS1c is the flagship of our LS1 active loudspeaker series. It is named after the revolutionary TPCD Carbon Composite tweeter that we developed in cooperation with driver manufacturer Seas. Even more important is that we rebuilt all elements of the LS1 design from the ground up: the electronics with latest generation amplifiers, the audio DSP code, the computer aided calibration method, the firmware and the PC/Mac software that controls the entire system. To pick just one example, with the knowledge we gained from developing the MU1 and MU2 FPGA Pure Nyquist filters, we were able to dramatically improve the crossover phase correction filters of the LS1c’s DSP. -
The SB1 with ‘DMF’ is a technological marvel. By applying ‘Digital Motional Feedback’, a control technology from the renowned Dutch high-tech industry, it became possible to achieve exceptionally low levels of distortion and full dynamic control. With an SB1 added for the bass frequencies, the LS1 system offers low distortion over the full audio band and redefines the term ‘transparency’. This is bass control like you’ve never experienced before. -
Precision, Innovation, and Integrated Audio Excellence
Aavik U-x88 range, is a groundbreaking collection of all-in-one amplifiers featuring the U-188, U-288, and U-588 models. Each model draws inspiration from the acclaimed 880-series flagship models, offering state-of-the-art musical performance in a completely new design. Designed to deliver exceptional musicality, the U-x88 range combines a streamer, DAC, line stage, and power amplifier in a single meticulously engineered enclosure. Each component serves a precisely defined purpose, ensuring the lowest inductance, zero hysteresis, and exceptional resonance control to preserve the finest musical details.
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Crafted Like a Piece of Art
The DMP-A10 chassis blends modern aesthetics with romanticism, precision-engineered with CNC technology. At 430mm, it fits seamlessly into high-end audio systems, combining functionality and elegance.
With a high-speed electrical isolation system , the DMP-A10 separates noise and interference from different circuit boards. The complete physical isolation eliminates any possible interference to audio circuits in the transmission of system circuit signals, ensuring that the audio signal remains pure and undisturbed. The display panel features a shielding design as well, resulting in outstanding audio clarity and precision for an unrivaled listening experience.
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The DMP-A8 utilizes the self EOS (Eversolo Original sampling-rate audio engine), supporting output at all audio original sampling rate. In other words, any audio playback can entirely bypass the Android SRC limitation, supporting the Direct audio passthrough of third-party apps (Such as Apple Music hi-res Direct output). -
The Eversolo DMP-A6 Master Edition Gen 2 is a Hi-Fi streamer that seamlessly blends exceptional sound quality with cutting-edge technology. It is more than just an audio device; it is a new way to connect with the world of music. From hardware design to audio processing, every detail of the DMP-A6 Master Edition Gen 2 has been meticulously crafted for audiophiles who seek the ultimate listening experience. It not only meets your listening needs but also transforms each musical journey into a marvelous artistic exploration. -
GAIA I isolators provide improved sound clarity and openness for floor standing speakers and subwoofers weighing 220 lbs (100KG) or less. GAIA I isolators are finished with a machined stainless steel housing with an elegant dark chrome finish. Incorporating IsoAcoustics patented design principles, the GAIA I provides a high degree of isolation while resisting lateral movement and oscillations to maintain alignment with the listening position. Internal reflections from the hard-supporting surface are attenuated resulting in greater sound clarity and openness. The GAIA I will reveal clarity and openness from your speakers like you’ve never heard.